{"id":1071,"date":"2024-11-18T18:04:29","date_gmt":"2024-11-18T18:04:29","guid":{"rendered":"https:\/\/orfeovalencia.org\/blog\/?p=1071"},"modified":"2024-11-19T10:59:02","modified_gmt":"2024-11-19T10:59:02","slug":"la-simfonia-resurreccio-de-mahler-un-cant-emocionant-per-als-damnificats-per-la-dana","status":"publish","type":"post","link":"https:\/\/orfeovalencia.org\/blog\/2024\/11\/18\/la-simfonia-resurreccio-de-mahler-un-cant-emocionant-per-als-damnificats-per-la-dana\/","title":{"rendered":"La Simfonia Resurrecci\u00f3 de Mahler: Un cant emocionant per als damnificats per la DANA"},"content":{"rendered":"\n

Quan encara ens estem recuperant del dur\u00edssim colp que ha suposat la DANA, que ha afectat d’una manera tan terrible al poble valenci\u00e0, l’orfe\u00f3 cantar\u00e0 una obra que pot servir com a homenatge per a totes les persones damnificades per aquesta enorme trag\u00e8dia, la Simfonia Resurrecci\u00f3<\/em> de Mahler.<\/strong><\/p>\n\n\n\n

Gustav Mahler: Simfonia n. 2 “Resurrecci\u00f3”<\/strong>. Lorena Valero<\/strong>, mezzosoprano; Laura Cruz<\/strong>, soprano. Orfe\u00f3 Valenci\u00e0<\/strong>; Josep Llu\u00eds Valldecabres, director. Orquestra Simf\u00f2nica ESMAR<\/strong>. Director: Pascual Cabanes<\/strong>. Auditori de Torrent<\/strong>. Divendres, 6 de desembre<\/strong> de 2024. 19:00 hores. Auditori de Cullera<\/strong>. Dissabte, 7 de desembre<\/strong> de 2024. 19:30 hores.<\/p>\n\n\n\n

Entrades per a Torrent<\/a><\/p>\n\n\n\n

Entrades per a Cullera<\/a><\/p>\n\n\n\n

Per Fernando Morales<\/strong><\/p>\n\n\n

\n
\"\"
Cartell dissenyat per Maria Vicedo<\/figcaption><\/figure>\n<\/div>\n\n\n

El moment pel que estem travessant no podia ser m\u00e9s adequat per a que l’Orfe\u00f3 Valenci\u00e0 cante per primera vegada la Simfonia n\u00ba 2 “Resurrecci\u00f3”<\/em> de Gustav Mahler. Perqu\u00e8 si existeix una obra que puga descriure una trag\u00e8dia, un proc\u00e9s de dol i acabar amb un cant final de reconstrucci\u00f3, renaixement i resurrecci\u00f3, eixa \u00e9s sense dubte aquesta obra.<\/p>\n\n\n\n

Els concerts arribaran els dies 6 i 7 de desembre a Torrent i Cullera, dues localitats afectades per aquesta cat\u00e0strofe, i en ells l’orfe\u00f3 cantar\u00e0 junt amb l’Orquestra Simf\u00f2nica ESMAR dirigida per Pascual Cabanes i les solistes Lorena Valero i Laura Cruz.<\/p>\n\n\n\n

La m\u00fasica de Mahler, en general, t\u00e9 la qualitat de despertar emocions molt personals tant en m\u00fasics com en o\u00efents. Com exemples per ilustrar els efectes que produeix la m\u00fasica de Mahler ens poden servir els testimonis de dos companys orfeonistes, Xema Zapater i Ferran Catal\u00e0 (els podeu vore clicant ac\u00ed<\/a> en el minut 52 del documental “50 a\u00f1os de la vida del Orfe\u00f3<\/em>” de Clara Mu\u00f1oz): “Encara em surten les ll\u00e0grimes quan cante la Vuitena Simfonia<\/em>” diu Zapater, mentre que Ferran Catal\u00e0 afegeix: “Jo no s\u00e9 qu\u00e8 t\u00e9 la Vuitena de Mahler que em resulta tremendament emotiva des del punt de vista arm\u00f2nic, i em vaig posar a plorar d’una manera que no podia evitar… i no s\u00e9 per qu\u00e8<\/em>“.<\/p>\n\n\n\n

Ells parlen de la Vuitena<\/em>, que cantaren al 2017 amb l’Orquestra de Val\u00e8ncia, per\u00f2 el cas concret de la Segona <\/em>destaca particularment pel seu gran poder suggestiu i commovedor. L’abast de l’obra \u00e9s tal que es podria fer un paralel\u00b7lisme amb la Resurrecci\u00f3<\/em> i la situaci\u00f3 per la que estem travessant els valencians despr\u00e9s de la dram\u00e0tica experi\u00e8ncia amb la recent DANA:<\/p>\n\n\n

\n
\"\"
Mahler en 1892<\/figcaption><\/figure>\n<\/div>\n\n\n

1- Una marxa f\u00fanebre d’enormes dimensions i d’una c\u00e0rrega dram\u00e0tica molt intensa, plena de laments, crits, plors, per\u00f2 tamb\u00e9 de moments de llum i esperan\u00e7a.<\/p>\n\n\n\n

2- Un moviment de nost\u00e0lgia pels records dels moments feli\u00e7os de la vida passada.<\/p>\n\n\n\n

3- El retrat grotesc i deformat que il\u00b7lustra la incapacitat humana d’aprendre de les experi\u00e8ncies i, per tant, tornar a caure en les mateixes errades.<\/p>\n\n\n\n

4- Un xiquet o xiqueta que canta inocentment la seua arribada al cel.<\/p>\n\n\n\n

5- Un monumental moviment de lluita entre la foscor i la llum per\u00f2 que finalitza amb el triomf absolut d’una nova vida.<\/p>\n\n\n\n

Podria servir com un relat dels esdeveniments que hem viscut amb un final que parla de l’esperan\u00e7a d’un renaixement despr\u00e9s d’aquesta tremenda desgr\u00e0cia?<\/p>\n\n\n\n

La m\u00fasica de Mahler t\u00e9 una extraordin\u00e0ria capacitat d’adaptaci\u00f3 a circumst\u00e0ncies molt diverses. Mahler, en la Segona<\/em>, parla d’altres coses, generals i personals. Les generals, plasmades expl\u00edcitament en el programa de la simfonia, les personals desemmascarades pels especialistes en la seua m\u00fasica. Per\u00f2 per a nosaltres poden significar, en els mesos finals de 2024, una altra cosa ben concreta.<\/p>\n\n\n\n

Un bon exemple del poder aclaparador que t\u00e9 aquesta simfonia pot ser el de Gilbert Kaplan, un broker <\/em>neoyorqu\u00ed a qui li va canviar la vida en 1965. No sabia res ni tenia cap inter\u00e9s en la m\u00fasica de Mahler, per\u00f2 un amic que va notar la depressi\u00f3 per la qual travessava li va arrastrar literalment a l’assaig general de la Segona <\/em>que Stokowski dirigia al dia seg\u00fcent en el Carnegie Hall.<\/p>\n\n\n

\n
\"\"
Gilbert Kaplan<\/figcaption><\/figure>\n<\/div>\n\n\n

La impressi\u00f3 que la simfonia li va provocar va fer que abandonara la seua vida d’inversor multimilionari en Manhattan per a consagrar-se a l’estudi i difusi\u00f3 de la Resurrecci\u00f3 <\/em>per tot el m\u00f3n. Va fundar la Kaplan Foundation i es va convertir en el primer director amateur en dirigir a orquestres professionals com la Filharm\u00f2nica de Viena en llocs com el Festival de Salzburg. Evidentment, l’obra que va dirigir i grabar en nombroses ocasions no va ser altra que la Segona simfonia<\/em> de Mahler. Cliqueu ac\u00ed per saber m\u00e9s coses de Gilbert Kaplan<\/a>.<\/p>\n\n\n\n

Cantar aquesta obra ser\u00e0 una experi\u00e8ncia inoblidable per a molts orfeonistes, i com passa habitualment, un moment d’enorme emoci\u00f3 per a les persones que acudisquen a gaudir d’aquesta obra tan especial:<\/p>\n\n\n\n

Wieder aufzubl\u00fchn wirst du ges\u00e4t! (Per a tornar a florir has estat sembrat!<\/em>)<\/p>\n\n\n\n

H\u00f6r auf zu beben! (Deixa de tremolar!<\/em>)<\/p>\n\n\n\n

Bereite dich zu leben! (Disposa’t a viure!<\/em>)<\/p>\n\n\n\n

Mit Fl\u00fcgeln, die ich mir errungen, in heissem Liebesstrebem, werd’ ich entschweben! (Amb ales que he conquerit, en ardent afany d’amor, al\u00e7ar\u00e9 el vol!<\/em>)<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Quan encara ens estem recuperant del dur\u00edssim colp que ha suposat la DANA, que ha afectat d’una manera tan terrible al poble valenci\u00e0, l’orfe\u00f3 cantar\u00e0 una obra que pot servir com a homenatge per a totes les persones damnificades per aquesta enorme trag\u00e8dia, la Simfonia Resurrecci\u00f3 de Mahler.<\/p>\n","protected":false},"author":1,"featured_media":1109,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1071","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerts"],"yoast_head":"\nLa Simfonia Resurrecci\u00f3 de Mahler: Un cant emocionant per als damnificats per la DANA - La revista digital de l'Orfe\u00f3<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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