{"id":611,"date":"2022-03-30T17:51:06","date_gmt":"2022-03-30T17:51:06","guid":{"rendered":"https:\/\/orfeovalencia.org\/blog\/?p=611"},"modified":"2022-04-06T06:01:48","modified_gmt":"2022-04-06T06:01:48","slug":"mites-i-llegendes-del-requiem-de-mozart-lobra-mes-cantada-per-lorfeo-valencia","status":"publish","type":"post","link":"https:\/\/orfeovalencia.org\/blog\/2022\/03\/30\/mites-i-llegendes-del-requiem-de-mozart-lobra-mes-cantada-per-lorfeo-valencia\/","title":{"rendered":"Mites i llegendes del &#8220;Requiem&#8221; de Mozart, l&#8217;obra m\u00e9s cantada per l&#8217;Orfe\u00f3 Valenci\u00e0"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><strong>La figura de Wolfgang Amadeus Mozart i, en concret, el seu <em>Requiem<\/em>, tenen un abans i un despr\u00e9s de la pel\u00b7l\u00edcula <em>Amadeus<\/em> de Milos Forman. Per\u00f2, que va passar realment amb la composici\u00f3 de l&#8217;obra i la mort del gran geni?<\/strong> <strong>Va estar present Antonio Salieri en eixos darrers moments de vida de Mozart?<\/strong> <strong>Ho contem seguidament i fem un recorregut per la relaci\u00f3 del <em>Requiem<\/em> amb l&#8217;Orfe\u00f3 Valenci\u00e0.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">  <strong>Per Fernando Morales<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Mozart: Requiem en re menor, KV 626. <\/strong>Orfe\u00f3 Valenci\u00e0, Josep Llu\u00eds Valldecabres, director.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><em>Templo de Santa Mar\u00eda de Requena. 9 d&#8217;abril de 2022<\/em><\/strong>. 19:30 hores: m\u00e9s <strong>Laudate Dominum, Ave verum corpus<\/strong>. Montserrat Mart\u00ed, soprano; Beatriz Gimeno, contralto; Alain Damas, tenor; Luis Santana, baix. Orquesta Filarm\u00f3nica Fundaci\u00f3n Ciudad de Requena. Francisco Melero, director.  <strong><em>Esgl\u00e9sia de Sant Esteve, Val\u00e8ncia. 12 d&#8217;abril<\/em><\/strong>. 20:00 hores: m\u00e9s <strong>Ave verum corpus, Himne Nacional d&#8217;Ucra\u00efna, Stabat Mater <\/strong>(Pergolesi) amb la Coral Corremon de l&#8217;Orfe\u00f3 Valenci\u00e0 Infantil. Teresa Albero, soprano; Yulia Safonova, contralto; David Ferri, tenor; Vicente Antequera, bajo. M\u00fasics per la Pau. Sergio S\u00e1ez, director. <\/p>\n\n\n\n<p>Quan han passat 38 anys des de la estrena i consagraci\u00f3 internacional al rebre 8 premis Oscar, es pot afirmar que la pel\u00b7l\u00edcula <em>Amadeus <\/em>ha servit per a acostar la figura de Wolfgang Amadeus Mozart a un dels llocs d&#8217;honor que han d&#8217;ocupar els grans genis de la hist\u00f2ria de la humanitat.<\/p>\n\n\n\n<p>M\u00e9s enll\u00e0 de &#8220;concessions&#8221; m\u00e9s o menys est\u00fapides, com el de l&#8217;absurda rialla del protagonista, construir un personatge cinematogr\u00e0fic, amb tot el que aix\u00f2 representa, i mantindre una base de qualitat i rigorositat m\u00ednima combinada amb les necess\u00e0ries &#8220;llic\u00e8ncies po\u00e8tiques&#8221; per fer atractiu el personatge per a les masses, \u00e9s el principal element que ha fet que aquesta pel\u00b7l\u00edcula continue sent un referent &#8220;popular&#8221; per a con\u00e9ixer al gran compositor austr\u00edac. <\/p>\n\n\n\n<p>Ara que l&#8217;Orfe\u00f3 Valenci\u00e0 torna a oferir el <em>Requiem en re menor, KV 626<\/em>, \u00e9s un bon moment per a repassar eixa meravellosa escena final del film, on Mozart (Tom Hulce) dicta a Salieri (Frank Murray Abraham) diversos fragments d&#8217;aquesta emocionant i p\u00f2stuma missa de difunts.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mozart y Salieri ( la escena que mas me impresiono)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/fS656rVnhzc?start=2&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Qui va encarregar aquesta missa de difunts?<\/strong><\/p>\n\n\n\n<p>A la pel\u00b7l\u00edcula, el misteri\u00f3s personatge embossat sota una capa negra i una terror\u00edfica m\u00e0scara seriosa d&#8217;un costat i alegre per l&#8217;altre que encarrega a un feble i trastornat Mozart una missa de difunts \u00e9s Salieri. Per\u00f2 qu\u00e8 va passar realment?<\/p>\n\n\n\n<p>Est\u00e0 demostrat que el misteri\u00f3s personatge que va fer l&#8217;extravagant enc\u00e0rrec va ser Franz Anton Leitbeg, m\u00fasic al servei del comte Franz von Walsegg. La jove esposa del comte havia mort en febrer de 1791 i el comte volia que un compositor contrastat escriguera una missa de difunts per tal de dirigir-la al seu castell i fer-la passar com a pr\u00f2pia. <\/p>\n\n\n\n<p>No era la primera volta que aquest arist\u00f2crat feia un enc\u00e0rrec per fer-se passar davant els seus amics com a compositor de grans obres. Finalment, Franz von Walsegg va dirigir en desembre de 1793 al seu castell el <em>Requiem<\/em> que havia encarregat per honrar la mem\u00f2ria de la comtessa morta.<\/p>\n\n\n\n<p><strong>Va participar Antonio Salieri en la composici\u00f3 del Requiem?<\/strong><\/p>\n\n\n\n<p>Absolutament en res. L&#8217;escena presentada a la pel\u00b7l\u00edcula \u00e9s una &#8220;dramatitzaci\u00f3&#8221; completa. Els manuscrits del <em>Requiem<\/em> corresponen a la m\u00e0 del mateix compositor i la de dos dels seus alumnes: Joseph Eybler i Franz Xaver S\u00fcssmayr. <\/p>\n\n\n\n<p>La v\u00eddua del compositor, Konstanze Weber, necessitada de cobrar l&#8217;enc\u00e0rrec, va demanar a Eybler la finalitzaci\u00f3 del <em>Requiem<\/em>, que el propi Mozart, conscient de la seua feblesa, havia planificat pr\u00e8viament amb els seus alumnes favorits en assajos amb indicacions t\u00e8cniques i musicals. <\/p>\n\n\n\n<p>Eybler va treballar en el <em>Domine Jesu Christe<\/em>, per\u00f2 abrumat per la responsabilitat de completar l&#8217;obra d&#8217;un geni va renunciar prompte, la qual cosa va motivar que finalment fora S\u00fcssmayr qui es posara mans a l&#8217;obra per completar tot el que restava: <em>Hostias, Sanctus\/Benedictus, Agnus Dei<\/em> i <em>Communio<\/em>. <\/p>\n\n\n\n<p>S\u00fcssmayr va fer servir material d&#8217;altres composicions del mestre i va utilitzar material previ de l&#8217;obra, aix\u00ed com contribucions pr\u00f2pies realment inspirades, de manera que el <em>Requiem <\/em>no presenta una caiguda massa exagerada de qualitat als n\u00fameros finals completats per l&#8217;alumne.<\/p>\n\n\n\n<p><strong>On naix aquesta &#8220;teoria de la conspiraci\u00f3&#8221;?<\/strong><\/p>\n\n\n\n<p>El cam\u00ed que desemboca en la pel\u00b7l\u00edcula de Milos Forman naix a un peri\u00f2dic vien\u00e9s que va recordar que alg\u00fa va xiular sonorament durant l&#8217;estrena de <em>Don Giovanni<\/em>. Quan el p\u00fablic es va girar a mirar d&#8217;on provenia el xiulet, es va veure Salieri abandonant presurosament la sala. <\/p>\n\n\n\n<p>A partir d&#8217;eixe article, el gran escriptor rus Aleksander Pushkin, va escriure a 1832 un xicotet poema anomenat inicialment &#8220;L&#8217;enveja&#8221; i que posteriorment rebria el nom &#8220;Mozart i Salieri&#8221;. A finals de segle, Nikolai Rimski-Korsakov va escriure una \u00f2pera en un acte amb el mateix nom basada en l&#8217;obra de Pushkin.<\/p>\n\n\n\n<p>Seria a l&#8217;any 1979 quan el dramaturg Peter Shaffer present\u00e0 l&#8217;obra <em>Amadeus<\/em>, que va obtindre un clamor\u00f3s \u00e8xit tant en Londres com a Nova York, i que estava basada remotament en el poema pushkiniano. A l&#8217;obra del rus, Salieri enverina la beguda de Mozart en una posada mentre els dos conversen sobre les composicions del salzburgu\u00e9s. A l&#8217;obra de teatre, l&#8217;acci\u00f3 \u00e9s molt semblant a la presentada per Forman a la oscaritzada producci\u00f3 cinematogr\u00e0fica de 1984.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/orfeovalencia.org\/blog\/wp-content\/uploads\/2022\/03\/IMG_1439-1024x768.jpg\" alt=\"\" class=\"wp-image-621\" srcset=\"https:\/\/orfeovalencia.org\/blog\/wp-content\/uploads\/2022\/03\/IMG_1439-1024x768.jpg 1024w, https:\/\/orfeovalencia.org\/blog\/wp-content\/uploads\/2022\/03\/IMG_1439-300x225.jpg 300w, https:\/\/orfeovalencia.org\/blog\/wp-content\/uploads\/2022\/03\/IMG_1439-768x576.jpg 768w, https:\/\/orfeovalencia.org\/blog\/wp-content\/uploads\/2022\/03\/IMG_1439-1536x1152.jpg 1536w, https:\/\/orfeovalencia.org\/blog\/wp-content\/uploads\/2022\/03\/IMG_1439-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Primera interpretaci\u00f3 del <em>Requiem<\/em>. Teatre Principal de Val\u00e8ncia, 11 de novembre de 1976<\/figcaption><\/figure>\n\n\n\n<p><strong>La estreta relaci\u00f3 entre l&#8217;Orfe\u00f3 Valenci\u00e0 i el Requiem de Mozart<\/strong><\/p>\n\n\n\n<p>El <em>Requiem <\/em>de Mozart \u00e9s la pe\u00e7a simf\u00f3nic-coral que m\u00e9s voltes ha cantat l&#8217;Orfe\u00f3 Valenci\u00e0. Amb aquestes dues noves cites, seran ja 17 les ocasions en les que les veus del nostre cor han donat vida a aquesta meravellosa partitura. Darrere d&#8217;aquesta obra apareix la <em>Simfonia n\u00ba 9<\/em> de Beethoven, que el cor ha cantat en 12 ocasions, superant amb el concert que es va fer el passat 30 de desembre a Castell\u00f3 a <em>El Messies <\/em>de Haendel, que ha sigut abordat per l&#8217;orfe\u00f3 en 11 ocasions. Molt lluny queden ja unes altres grans peces del repertori, com el <em>Requiem<\/em> de Faur\u00e9, que ha sigut cantat en 5 ocasions. <\/p>\n\n\n\n<p>I \u00e9s que el <em>Requiem<\/em> de Mozart va ser la primera ocasi\u00f3 en la que el en eixe moment anomenat Orfe\u00f3n Navarro Reverter va donar el salt al gran repertori. Els m\u00e9s veterans del cor encara recorden amb emoci\u00f3 eixa primera interpretaci\u00f3, que va tindre lloc l&#8217;11 de novembre de 1976 al Teatre Principal de Val\u00e8ncia, en un concert que es repet\u00ed el dia 13 a Santa Caterina i que compt\u00e0 amb les solistes Carmen Bustamante, Alicia Naf\u00e9, Juli\u00e1n Molina y Joan Pons, la en eixe moment anomenada Orquesta Municipal de Valencia, tots dirigits per Pedro Pirfano.<\/p>\n\n\n\n<p>Haurien de passar 22 anys fins que el Orfe\u00f3n Navarro Reverter tornara a apropar-se a aquesta obra mestra. Serien tres concerts entre el 7 i el 9 d&#8217;abril de 1998 amb els solistes Pilar Esteban, Mar\u00eda de los Llanos, Ferm\u00edn Montagud i Francisco Valls amb l&#8217;Orquestra d&#8217;Ahrensburg dirigits per Frank L\u00f6hr. Els concerts tingueren lloc a la Col\u00b7legiata de Gandia, Esgl\u00e9sia de Santiago de Villena i el Teatre Principal de Requena.<\/p>\n\n\n\n<p>A l&#8217;any 2002 es faria per primera volta al Palau de la M\u00fasica de Val\u00e8ncia, ja com Orfe\u00f3 Valenci\u00e0 Navarro Reverter. Un 8 d&#8217;abril amb int\u00e9rprets cent per cent valencians: Minerva Moliner, Cristina Faus, Eduardo Garc\u00eda Sandoval y David Men\u00e9ndez, amb l&#8217;Orquestra del Conservatori dirigits per Vicente Balaguer.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/orfeovalencia.org\/blog\/wp-content\/uploads\/2022\/03\/WhatsApp-Image-2022-03-21-at-1.12.27-PM.jpeg\" alt=\"\" class=\"wp-image-624\" width=\"309\" height=\"434\" srcset=\"https:\/\/orfeovalencia.org\/blog\/wp-content\/uploads\/2022\/03\/WhatsApp-Image-2022-03-21-at-1.12.27-PM.jpeg 525w, https:\/\/orfeovalencia.org\/blog\/wp-content\/uploads\/2022\/03\/WhatsApp-Image-2022-03-21-at-1.12.27-PM-213x300.jpeg 213w\" sizes=\"auto, (max-width: 309px) 100vw, 309px\" \/><figcaption>Cartel per al concert en Requena<\/figcaption><\/figure><\/div>\n\n\n\n<p>Al 2005 arribaria la primera volta que Josep Llu\u00eds Valldecabres ens dirigiria el <em>Requiem<\/em>. Amb l&#8217;Orquestra Ciutat d&#8217;Elx, al Gran Teatre de la ciutat de les palmeres, i amb solistes com Mar\u00eda Jos\u00e9 Martos, Luisa Maeso, el tristament malograt Jos\u00e9 Ferrero i Carlos L\u00f3pez Galarza. A l&#8217;any seg\u00fcent Joan Cerver\u00f3 i l&#8217;Orquestra Simf\u00f2nica de Val\u00e8ncia compartirien amb el cor el concert al Teatre Serrano de Gandia, en la que va ser la primera volta que la nostra estimada Erika Escrib\u00e1 apareixeria com a solista.<\/p>\n\n\n\n<p>Nom\u00e9s uns mesos despr\u00e9s, el 10 de novembre de 2006, arribava un dels concerts m\u00e9s assenyalats de la hist\u00f2ria de l&#8217;orfe\u00f3, al presentar-se amb aquesta obra al Palau de la M\u00fasica de Val\u00e8ncia amb solistes de la talla de Ainhoa Arteta, Caterine Wyn-Rogers, Christoph Strehl o Alan Titus, amb l&#8217;Orquestra de Val\u00e8ncia dirigida per Yaron Traub.<\/p>\n\n\n\n<p>Ocasions posteriors ens portarien a col\u00b7laborar amb l&#8217;Orquesta Sinf\u00f3nica Espa\u00f1ola y Bernardo Adam Ferrero en 2010 a l&#8217;Esgl\u00e9sia de Santa Maria del Mar de Val\u00e8ncia, la Orquesta Cl\u00e1sica Santa Cecilia dirigida per Rub\u00e9n Gimeno a l&#8217;any 2011 amb un cor participatiu, fins a arribar a les m\u00e9s recents aparicions a l&#8217;any 2018 a Godella i Val\u00e8ncia i l&#8217;Orquestra del Casino Musical de Godella dirigida per Pilar Mor i les que ens han dirigit a l&#8217;any 2020 Crist\u00f3bal Soler a Cullera i Henrie Adams a Castell\u00f3. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>La figura de Mozart i, en concret, el seu Requiem, tenen un abans i un despr\u00e9s de la pel\u00b7l\u00edcula Amadeus de Milos Forman. Per\u00f2, que va passar realment amb la composici\u00f3 de l&#8217;obra i la mort del gran geni? Va estar present Salieri en eixos darrers moments de vida de Mozart? Ho contem seguidament i fem un recorregut per la relaci\u00f3 del Requiem amb l&#8217;Orfe\u00f3 Valenci\u00e0.<\/p>\n","protected":false},"author":1,"featured_media":663,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mites i llegendes del &quot;Requiem&quot; de Mozart, l&#039;obra m\u00e9s cantada per l&#039;Orfe\u00f3 Valenci\u00e0 - La revista digital de l&#039;Orfe\u00f3<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/orfeovalencia.org\/blog\/2022\/03\/30\/mites-i-llegendes-del-requiem-de-mozart-lobra-mes-cantada-per-lorfeo-valencia\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mites i llegendes del &quot;Requiem&quot; de Mozart, l&#039;obra m\u00e9s cantada per l&#039;Orfe\u00f3 Valenci\u00e0 - La revista digital de l&#039;Orfe\u00f3\" \/>\n<meta property=\"og:description\" content=\"La figura de Mozart i, en concret, el seu Requiem, tenen un abans i un despr\u00e9s de la pel\u00b7l\u00edcula Amadeus de Milos Forman. Per\u00f2, que va passar realment amb la composici\u00f3 de l&#039;obra i la mort del gran geni? Va estar present Salieri en eixos darrers moments de vida de Mozart? 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