{"id":969,"date":"2023-12-10T12:03:18","date_gmt":"2023-12-10T12:03:18","guid":{"rendered":"https:\/\/orfeovalencia.org\/blog\/?p=969"},"modified":"2023-12-10T12:03:19","modified_gmt":"2023-12-10T12:03:19","slug":"lorfeo-valencia-torna-al-palau-de-la-musica-per-al-concert-de-nadal-de-la-banda-municipal","status":"publish","type":"post","link":"https:\/\/orfeovalencia.org\/blog\/2023\/12\/10\/lorfeo-valencia-torna-al-palau-de-la-musica-per-al-concert-de-nadal-de-la-banda-municipal\/","title":{"rendered":"L’Orfe\u00f3 Valenci\u00e0 torna al Palau de la M\u00fasica per al concert de Nadal de la Banda Municipal"},"content":{"rendered":"\n

Els pr\u00f2xims dies 15 i 21 de desembre viurem uns dies molt especials. Per un costat, tornem a participar junt amb la Banda Municipal de Val\u00e8ncia als concerts de nadal, i per altre, aquestes actuacions suposen la tornada de l’Orfe\u00f3 Valenci\u00e0 al Palau de la M\u00fasica m\u00e9s de 5 anys despr\u00e9s. <\/strong><\/p>\n\n\n\n

Per Fernando Morales<\/strong><\/p>\n\n\n\n

Concerts de Nadal<\/strong>: Obres de R. Vaughan-Williams, P. Yon, L. Anderson, M. Nispen, C. Franck, J. S. Bach, F. X. Gruber. Orfe\u00f3 Valenci\u00e0<\/strong>; Josep Llu\u00eds Valldecabres, director. Vicente Antequera, bar\u00edtono. Banda Municipal de Val\u00e8ncia. Miquel Rodrigo i Tamarit, director. Divendres 15 de desembre<\/strong> de 2023. 19:30 hores. Dijous 21 de desembre<\/strong> de 2023. 19:30 hores. Sala Iturbi, Palau de la M\u00fasica de Val\u00e8ncia<\/strong>.<\/p>\n\n\n\n

Despr\u00e9s de m\u00e9s de 5 anys, l’Orfe\u00f3 Valenci\u00e0 torna a la Sala Iturbi del Palau de la M\u00fasica de Val\u00e8ncia. I ho farem per participar en dos esdeveniments molt especials: els concerts de nadal de la Banda Municipal de Val\u00e8ncia. Seran dos actuacions amb entrades gratu\u00eftes que caldr\u00e0 retirar o b\u00e9 per internet o b\u00e9 de manera presencial en les taquilles del el Palau de la M\u00fasica des de les deu del mat\u00ed del dia de cada concert. <\/p>\n\n\n\n

Ja fa m\u00e9s de 5 anys des de la darrera actuaci\u00f3 de l’Orfe\u00f3 Valenci\u00e0 al Palau de la M\u00fasica. Va ser un 25 de maig de 2018 amb l’Orquestra de Val\u00e8ncia dirigida per Ram\u00f3n Tebar. En programa, repertori angl\u00e9s: Els Planetes<\/em> de Gustav Holst i Flos Campi<\/em> de Ralph Vaughan-Williams. <\/p>\n\n\n\n

I com si fora un cercle que es tanca, en aquestos nous concerts al Palau, anem a oferir com a plat fort una altra obra del compositor angl\u00e9s Vaughan-Williams: Fantasia on Christmas Carols<\/em>. Comptarem amb la col\u00b7laboraci\u00f3 del bar\u00edton valenci\u00e0 Vicente Antequera, amb qui treball\u00e0rem recentment a la Novena simfonia<\/em> de Beethoven a Cullera. <\/p>\n\n\n\n

\"\"
L’Orfe\u00f3 Valenci\u00e0 junt amb l’OVI a la Sala Iturbi del Palau. Any 2016 <\/figcaption><\/figure>\n\n\n\n

Notes sobre la “Fantasia on Christmas Carols” de Ralph Vaughan-Williams<\/em><\/strong><\/p>\n\n\n

\n
\"\"
Vaughan-Williams<\/figcaption><\/figure>\n<\/div>\n\n\n

La Fantasia on Christmas Carols del compositor angl\u00e9s Ralph Vaughan-Williams va ser estrenada el 12 de setembre de 1912 al Festival dels Tres Cors a la Catedral de Hereford. Es tracta d’una obra en una \u00fanica part o moviment, a la qual el compositor va utilitzar material procedent de nadales tradicionals angleses\u00a0The truth sent from above (Heredfordshire Carol),\u00a0Come all you worthy gentleman (Somerset Carol) i\u00a0On Christmas night all Christians sing (Sussex Carol). Tamb\u00e9 s’escolta material procedent d’altres cants de nadal, com\u00a0The first Nowell<\/em>.<\/p>\n\n\n\n

Aquest material va ser recopilat pel compositor amb el seu col\u00b7laborador Cecil Sharp. Per a dotar de forma i unitat a la composici\u00f3, Vaughan-Williams va ensamblar el material segons el seu caracter\u00edstic estil harm\u00f2nic, que normalment presenta un cert aire nost\u00e0lgic.<\/em><\/p>\n\n\n\n

La Fantasia on Christmas Carols s’interpreta habitualment des de 1954 junt amb Hodie, la m\u00e9s gran composici\u00f3 simf\u00f2nic-coral del compositor, estrenada a l<\/em>‘esmentat festival eixe mateix any.<\/em> <\/p>\n\n\n\n

Un programa ple de color i alegria<\/strong><\/p>\n\n\n\n

El programa d’aquestos concerts es completa amb un variat repertori que omplir\u00e0 de color i d’alegria el meravell\u00f3s escenari del Palau de la M\u00fasica. Obres com Ges\u00f9 Bambino <\/em>de Pietro Yon, A Christmas Festival <\/em>de Leroy Anderson, The first No\u00ebl <\/em>de Matthias van Nispern, Panis Angelicus <\/em>de Cesar Franck o l’imprescindible Stille Nacht (Nit de Pau)<\/em> de Franz Xaver Gruber en una versi\u00f3 diferent a la que cantem habitualment. <\/p>\n\n\n\n

Per\u00f2, no podem deixar de destacar l’altra obra d’especial significat d’aquestos concerts, el Dona nobis pacem<\/em>, cor final de la majestuosa Missa en si menor, BWV 232<\/em> de Johann Sebastian Bach. Aquesta pe\u00e7a la volem dedicar a totes les v\u00edctimes de les guerres que, lamentablement, asolen en aquestos moments el m\u00f3n. A tots ells i als responsables que podrien parar aquestos conflictes els oferim aquest cant de pau, de recolliment, d’emoci\u00f3 i de humanitat.<\/p>\n\n\n\n

\"\"
Miquel Rodrigo i Tamarit<\/figcaption><\/figure>\n\n\n\n

Notes sobre “Dona nobis pacem” de la “Missa en si menor” de Johann Sebastian Bach<\/em><\/strong><\/p>\n\n\n\n

D’entre el immens cat\u00e0leg de Johann Sebastian Bach, la Missa en si menor, BWV 232, destaca particularment. Es tracta d’una composici\u00f3 majestuosa en tots els sentits, per la seua grandiositat, per representar el cim musical d’un dels grans genis de tots els temps, per\u00f2 especialment, per ser una obra a la qual el compositor va dedicar els seus \u00faltims esfor\u00e7os.<\/em><\/p>\n\n\n\n

Perqu\u00e8 Bach va dedicar els \u00faltims anys de la seua vida a reunir, ensamblar i donar unitat a una missa cat\u00f2lica sobre la base d’una inicial missa luterana i altres peces d’obres pr\u00e8vies. I \u00e9s que gran part de la Missa en si menor \u00e9s una par\u00f2dia, en el significat musical del terme, \u00e9s a dir: una obra en la qual el compositor utilitza material propi d’altres composicions per a conformar una nova.<\/em> <\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

De fet, nom\u00e9s 8 dels 27 n\u00fameros de la missa foren escrits expressament per ella, la resta provenien de composicions pr\u00e8vies: El Sanctus, composat pel dia de Nadal de 1724, el Kyrie y el Gl\u00f2ria escrits en 1733 com a missa luterana pel nomenament de Federico Augusto II, Elector de Sajonia i rei de Pol\u00f2nia, amb el nom d’August III. La resta de l’obra, \u00e9s a dir, el Credo, Sanctus (les parts restants) i Agnus Dei, foren completades als darrers anys de la seua vida, entre el 1747 i el 1749.<\/em> <\/p>\n\n\n\n

I d’entre aquestes parts ensamblades entre eixos dos \u00faltims anys, la majoria del material va ser reutilitzat de cantates pr\u00e8vies, mentre que unes poques foren escrites per completar i donar cohesi\u00f3 a una obra a la qual Bach pensava com a un tot unitari.<\/em><\/p>\n\n\n\n

El n\u00famero final, Dona nobis pacem, repr\u00e9n el tema que utilitza al Gratias agimus tibi del Gl\u00f2ria. No \u00e9s un cor triomfal, sin\u00f2 de sincer reconeixement. Com ens assenyala Douglas Amman, el Crucifixus queda remarcat com nucli del drama cristi\u00e0, al estar situat a deu n\u00fameros tanto del Gratias como del Dona nobis, compartint m\u00fasica i reconeixement a Deu pel sacrifici. <\/em><\/p>\n\n\n\n

El manuscrit de la Missa en si menor va passar a mans de Carl Philip Emanuel Bach i finalment va acabar en poder del music\u00f2leg Hans Georg N\u00e4geli en 1805. La primera publicaci\u00f3 de l’obra va ser al 1833 titolada nom\u00e9s com Missa, mentre que la primera edici\u00f3 anomenada com a Missa en si menor va ser al 1845. Malgrat que alguns defenen la possibilitat de que fora interpretada en vida de Bach a Viena, sembla que la primera interpretaci\u00f3 va tindre lloc en 1835 a Berl\u00edn.<\/em><\/p>\n\n\n\n

Nou anys despr\u00e9s<\/strong><\/p>\n\n\n\n

Per\u00f2 aquesta no va a ser la primera vegada que l’orfe\u00f3 participa en els concerts nadalencs de la Banda Municipal, la primera ocasi\u00f3 va arribar el 21 de desembre de 2014, en un concert dirigit pel que aleshores era director titular de la banda, Fernando Bonete Piqueras. <\/p>\n\n\n\n

En eixa ocasi\u00f3 es varen cantar peces com el Cor d’esclaus <\/em>de Nabucco <\/em>de Verdi, Cantant al Nadal, El tamborilero, Dies de Nadal <\/em>o Nit de Pau<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Els pr\u00f2xims dies 15 i 21 de desembre viurem uns dies molt especials. Per un costat, tornem a participar junt amb la Banda Municipal de Val\u00e8ncia als concerts de nadal, i per altre, aquestes actuacions suposen la tornada de l’Orfe\u00f3 Valenci\u00e0 al Palau de la M\u00fasica m\u00e9s de 5 anys despr\u00e9s. <\/p>\n","protected":false},"author":1,"featured_media":989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerts"],"yoast_head":"\nL'Orfe\u00f3 Valenci\u00e0 torna al Palau de la M\u00fasica per al concert de Nadal de la Banda Municipal - La revista digital de l'Orfe\u00f3<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/orfeovalencia.org\/blog\/2023\/12\/10\/lorfeo-valencia-torna-al-palau-de-la-musica-per-al-concert-de-nadal-de-la-banda-municipal\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'Orfe\u00f3 Valenci\u00e0 torna al Palau de la M\u00fasica per al concert de Nadal de la Banda Municipal - La revista digital de l'Orfe\u00f3\" \/>\n<meta property=\"og:description\" content=\"Els pr\u00f2xims dies 15 i 21 de desembre viurem uns dies molt especials. 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